#margaret booth

[citizenscreen]

Editor Margaret Booth would have celebrated a birthday today. #botd pictured working in 1926.

[sesiondemadrugada]

Camille (George Cukor, 1936).

[lamour-est-la-force]

Me: Once Upon a Time season 1 is so cozy and comforting :)

ouat s1: government corruption, a woman almost having to give her baby away against her will, a mine collapsing with a child inside, a girl locked in a mental hospital, arson, homeless children needing to steal to survive, said homeless children almost getting separated in the foster care system, infidelity, drugging and kidnapping, attempted muder, actual murder, a murder trial that has nothing to do with the real actual murder, a man slowly and painfully turning into wood, etc.

[zilodak]

Still dealing with the gremlin, so have some old never seen before art, wips, concepts instead.

[sevenfifteenam]

OUAT + Texts From Last Night [part 2]

[crookedvultures]

"Looks like third time's the charm!"

[intothewickedwood]

Ouattober 2023 Day 2 - Favourite Location: Storybrooke Wilderness Park

[secretlytherealsonicthehedgehog]

okay can i just say, gepetto being honest about two people fitting in the wardrobe and just asking snow to take pinocchio as the second person may have been possible. like, i doubt she’d say no to something like that, i just can’t see that happening. i honestly think it’d be a really good plot if we saw something like that. like, obviously it’s not realistic because if he WAS honest, charming would’ve gone too, but sometimes i just wonder what that would be like

[his-lost-one]

more ouat memes

meme templates are from pinterest ^^

[hallmark-movie-fanatics]

Three Wiser Men and a Boy - photo preview 2 of 2

(photos 1-8, 11, 13-15, and 17-18 are from parade.com)

[ilikestuff69]

‘Once Upon a Time… in Hollywood’ (2019)

Directed by Quentin Tarantino

[citizenscreen]

Legendary film editor Margaret Booth (January 16, 1898 – October 28, 2002)

[alissa3000]

I really wished we got to see more of Emma and August’s dynamic bc they had so much potential for a connection w their backstory

[capturethemomentsblog]

My Salinger Year（2020）

dir. Philippe Falardeau

[victoriously-regal]

Aaron Burr, sir (but it’s when August meets Emma in Storybrooke and he’s trying to get her to believe in the curse. lyrics rewritten by me! )

Purple: August

Red: Emma

Green: Everyone

~~~~~~~~~~~~~~~~~~~~~

2011

Storybrooke, Maine

Pardon me, are you Emma Swan, ma’am?

That depends, who's asking?

Oh, well sure, ma’am

I'm August. W Booth, I'm at your service, ma’am

I have been looking for you

I'm getting nervous

Ma’am, I heard your name in Phoenix,

And then attempted to getcha here to this town

When I got sort of out of sorts with a buddy of yours

I kinda threatened him

It's a blur, ma’am

He stole those fancy watches?

You made Neal frame me!?

Yes! Made ‘im give you the watch, let you go, to get you to Maine, so you’d believe

Bae looked at me like I was stupid, I'm not stupid

So how'd you do it? Get to this town at last?

Long story short? Birthed Henry Mills, ten years in the past

You an orphan?

Yeah, so what? I'm an orphan, God, I wish you’d tell me how

You know this? It’s starting to piss me off.

Can I buy you a drink?

Fine. That’d be nice

While we're talking, let me offer you some free advice

Stay in town

What?

Defeat the Queen.

Who?

Don't let her know if you believe or if you don’t

Oh great, you’re crazy.

You want some intel?

How?

Allow me to enlighten you. Listen well.

Ah-yuh-yo, yo-yo-yo, yo!

What time is it?

Roll call!

Here’s the basics...

Roll call! Role call! Yo!

That’s Regina Mills, Head Bitch, Queen Bee

She created this town, outta revenge and misery

Em, please, I beg ya. Listen to me.

Don’t leave this town 'til her curse breaks, and we’re all free.

Next up over there, Shepherd Boy, Nolan D.

Biggest rags to riches story of the century.

Met his one true love, settled down, had a kid

You’re that kid, by the way. Ain’t that funny? (What? No!)

Hey wait, who’s that? Look, it’s Mary Margaret Blanchard.

She’s actually Snow White

She’s your mother.

Huh? Wait, come again? (Yup)

Look out for her and Regina

The Queen truly hates her, blames her and her childhood misbehaviour

This ain’t real, pour me another drink, Booth

These are dumb fairytales.

They’re not, it’s all the truth.

No, I’m not some prophecy, here to fix all these folks

Believe what you want, the curse’s end is still close

Good luck with that, I’m calling a hoax

Try convince me if you want, let’s see how this goes (fine)

Emma this is your destiny, it won’t just disappear.

And if you don’t believe me, Swan, how come you’re still here?

Tell me Swan, you gonna fight? Beat the Queen? Speak what’s true.

Savior, tell me right now.

Whatcha gonna do?

[celestialmazer]

Camille Lemoine

Gemma Dagger

Rachel Lamb

Wendy McMurdo

Izzy Leach

Margaret Mitchell

https://diormagazine.dior.com/dior-magazine-en/dior-magazine-48/fashion/from-dior-to-scotland

Christian Dior - Cruise 2025

Highlands, Tantallon Castle, Edinburgh

Catwalk at Drummond castle, Scotland, June 3rd 2024

Pietro Ruffo's blue Toile de Jouy Scotland motif

Yilan Hua wears Dior for Vogue Czech December 2024 - https://anneofcarversville.com/fashion/2024/12/16/7yilan-hua-vogue-czechoslovakia

https://www.dior.com/en_gb/fashion/womens-fashion/ready-to-wear-shows/cruise-2025-show

For Maria Grazia Chiuri, the presentation of the cruise collection is an opportunity to follow the steps of Christian Dior around the world.

Visual journeys that each time invoke new experiences. In 1955, Monsieur Dior presented his work in Perthshire, Scotland, in the ballroom of the Gleneagles Hotel. For the Creative Director of Dior Women’s Collections, this country has become the narrative framework of the Dior cruise 2025 collection – unveiled in the gardens of Drummond Castle – where memories, inspirations and suggestions fuse to generate shapes and embroideries.

The unicorn and the thistle, both symbols of Scotland, provide an unprecedented variation of the Millefleurs motif, and are transposed into heraldic embroidery, recalling the savoir-faire of this exceptional technique, a language in itself, a form of resilience. An emblem of Mary Stuart that can be found in Clare Hunter’s book Embroidering Her Truth: Mary, Queen of Scots and the Language of Power1.

A map of Scotland adorns some of the models in this cruise line, sketching a cartography of collaborations and cultural encounters deployed specially for this défilé, such as the tribute to tartan: “It’s probably the only fancy fabric that resists fashions,” Christian Dior wrote in The Little Dictionary of Fashion2. Blending various colors and the cut of a kilt, this historic cloth, intrinsically characteristic of the region, continues to cross fashions past and present, from romanticism to punk.

Photographs from the spring-summer 1955 presentation are transformed into prints or employed as appliques on the edges of kilts or pea coats, in a kind of cinematic montage. They constitute objects of memory punctuating this Dior cruise 2025 collection.

The looks merge contrasting elements, including the diverging textures of velvet and lace dressing the contemporary equestrian. Certain silhouettes feature exaggeratedly wide sleeves which, on white shirts, appear under little dresses with gathered skirts and bustiers resplendent with embroidery. The latter can be found on several dark, iridescent pieces that are sometimes adorned with pearls. Lace collars, in their turn, brighten up the black.

Also used in very light materials, tartan is the common thread running through this veritable celebration of the kilt, whether made directly in Scotland or reinterpreted. Not to forget dresses conceived in diverse lengths, as well as coats and capes with large hoods. Rain boots come and go. Small jackets adopt the gray of menswear fabrics, and the iconic Bar jacket sports black velvet Brandenburg buttons.

This same velvet magnifies an evening gown, the fitted bust of which emphasizes the oversized skirt. Feathery woven fishnet metamorphoses into long, lightweight dresses, embracing the mauve hue of nostalgia.

This inventive choreography is made up of interconnected affinities. Like an testimony revisiting stories of earlier times, it offers a journey where the different stages become the subjects of creativity.

1 Embroidering Her Truth: Mary, Queen of Scots and the Language of Power, Clare Hunter, Sceptre, 2022.

2 The Little Dictionary of Fashion, Christian Dior, Cassell & Company Ltd, London, 1954, translated into French in 2007 as an appendix to the catalogue Dior 60 Years of Style.

Odes To Mary Stuart

Inspired by Scottish craft traditions and the iconic figure of Mary Stuart, the silhouettes reinvent the look of the visionary sovereign, from romance to punk, tartan to corset-armor, dresses with accentuated shoulders to tweed sets and prodigious couture embroidery, echoing that of Holyrood Palace*. Between celebration and transgression(s), the iconic Argyle motif is unveiled in a fine open-work version; emblematic Fair Isle lace is modernized with a subtle interplay of material and transparency; crinolines are boldly revisited, punctuated by elements borrowed from counter-cultures. All these reinterpreted textile symbols marvelously revive the founding ties between France and Scotland.

* Primary residence of the kings and queens of Scotland

Punk Attitude

Poetic and all-conquering, the silhouettes designed by Maria Grazia Chiuri for the Dior cruise 2025 show are enhanced by accessories that convey a powerful, impetuous femininity. Worn with high socks, leather riding boots are adorned with zips and multiple straps, promising a confident, determined gait. Inspired by traditional sporran, kilts are worn with saddlebags emblazoned with the initials “CD”. A tribute to the customs that make Scotland so rich, the bags' shoulder straps are decorated with heraldic symbols that combine the House's emblems with those of this fascinating country. Wonderful finishing touches include necklaces with delicate black ribbons and pendants featuring marine motifs, a poetic evocation of the seas that shape the beauty of coastal landscapes.

Dior in Scotland: The making of the collection

Full show: